Amazonia: The Rights of Nature

About This Project

Opening Party: Thursday, March 9, 7–10 pm. Free admission.
 

Amazonia: The Rights of Nature explores the creative ideas that inspire Indigenous resistance to threats facing the world’s largest rainforest.
 

The exhibition features Amazonian basketry, textiles, carvings, feather works and ceramics both of everyday and of ceremonial use, representing Indigenous, Maroon and white settler communities. Today, these groups confront threats caused by political violence, mining, oil and gas exploration, industrial agriculture, forest fires, and hydroelectric plants. Challenging visitors to examine their own notions towards holistic well-being, the exhibition covers more than 100 years of unsuspected relationships between Vancouver and Amazonian peoples, ideas, and their struggles.
 

Rights of Nature departs from a social philosophy, known in Spanish as “buen vivir”, in which the concept of a good life proposes a holistic approach to development that intertwines notions of unity, equality, dignity, reciprocity, social and gender equality. The concept aligns directly with value systems intrinsic to Indigenous South American cultures, and serves as a rallying cry to move beyond Western ideals and practices of development and progress largely measured by profit.
 

The objects displayed in Amazonia: The Rights of Nature have been exclusively assembled from MOA’s collection of acquisitions and donations. Included amongst the exhibition are items from Frank Burnett’s founding collection, donated to the University of British Columbia in 1927, ensuring the exhibition spans more than 100 years of exchange between Vancouver and Amazonian peoples.
 

Taking over MOA’s O’Brian Gallery, the collection’s items are primarily composed of simple, identifiable elements: vegetal fibers, wood, animal parts, clay, or feathers. These uncomplicated components are transformed into extremely sophisticated and intricate textiles, basketry, ceramics, feather works and jewelry, displaying the knowledge and craftsmanship of some of the groups who reside in the region. Taken in its entirety, the exhibition promises to offer a revealing window into one of the world’s more culturally, socially, and linguistically diverse regions, as well as a new framework for addressing some of the globe’s most pressing environmental challenges.
 

Dates

March 10, 2017 – January 28, 2018

Curator

Nuno Porto

Category
Current