The latter illuminate the variety of rituals, religious texts and beliefs generated over time, culture and geography. They offer a window into Buddhist philosophy, aesthetics and values, combining beauty and meaning.
Works of art in the exhibition focus on basic Buddhist concepts and images, and reflect the purpose of Buddhist art: why it is made, who made it, for whom, and how it is used; for example, in teaching, facilitating meditation, gaining merit, and for devotional purposes.
Exhibit content reflects the Three Treasures of Buddhism — that is the Buddha, the Dharma (Teaching), and the Sangha (Community). Also described is the role of the bodhisattva and expressions of Buddhist practice, such as obtaining merit and devotion. The exhibit will decode the meaning of representations in Buddhist art, such as hand gestures and the attributes associated with various images.
The objects on display illustrate the primary images found in Buddhist art, and offer viewers a varied visual experience, from an early 5th century Gandharan sculpture, to a Zen painting.
A range of media will be represented, including sculptures (made of stone, metal or lacquered wood) paintings, ceramics, manuscripts and textiles. These will be drawn from MOA’s Asian collection, as well as from private lenders in British Columbia and from the collection of the Art Gallery of Greater Victoria.
Visions of Enlightenment will show examples of Buddhist art from the main Buddhist traditions: the Theravada, Mahayana and Vajrayana. In Vancouver, the latter traditions are well represented in the established Chinese, Japanese, Korean and Tibetan communities. The Theravada school represents the traditions of the Burmese, Thai and other Southeast Asian communities.
Curator: Carol E. Mayer.