UBC Home

The Collections

Conservation

Curatorial & Interpretation

Library & Archives

Research & Collections Stories See all

Research & Collections Stories

Permanent Exhibitions

Screen Shot 2018-03-27 at 9.22.46 AM

Welcome Plaza

The Museum of Anthropology is situated on the traditional land of the Musqueam people. In 2011, the MOA and the Musqueam celebrated the official naming of the Welcome Plaza xʷəńiwən ce:p kʷθəθ nəὠeyəɬ, “Remember your teachings.” The Welcome Plaza features artworks by Musqueam artists: Salish Footprint by Susan Point and Transformation by Joe Becker. Adjacent to the Welcome Plaza stands an Ancestor Figure by Susan Point.

MOA Great Hall canoe hi res

Great Hall

Featuring sculptures, textiles, bentwood boxes, feast dishes and canoes from the Northwest Coast, the Great Hall is a spectacular space created by 15 metre high walls of glass and displays large poles, house posts and carved figures, mostly from the mid-19th century. Works by contemporary artists are also featured including Welcome Figure by Nuu-chah-nulth artist Joe David, Bone Box by Haida artist Michael Nicoll Yahgulanaas, and yaahl kingnganggang (Raven Calling) by Haida artist Robert Davidson.

Please note: In early 2019, the Great Hall will undergo extensive seismic upgrades, during which the space will not be open to the public. In preparation for this major project, beginning in November 2018, the poles located in the Great Hall will be lowered and moved into temporary storage in the adjacent gallery, where visitors will have the opportunity to watch the poles undergo conservation.

MOA_140611_0101

Multiversity Galleries

These galleries house thousands of objects from the Museum’s worldwide research collections. MOA has worked with members of the communities whose relatives and ancestors made the pieces on display. Community members also helped to organize the collections using their own classification systems. The exhibit cases are designed to provide maximum visual access to the objects. Innovative Digital Catalogue Terminals (MOACAT) provide additional collection including images, audio and video at the touch of a screen. Embedded within the Multiversity Galleries is a Presentation Circle featuring a series of short, informative videos.

CRD_4906

Bill Reid Rotunda

MOA has the world’s largest collection of works by Haida artist Bill Reid. The Bill Reid Rotunda displays his famous sculpture The Raven and the First Men as well as some of his other works in gold, silver, argillite and wood. With the assistance of several other artists, Reid created this massive work out of a giant block of laminated yellow cedar. It was commissioned by Walter and Marianne Koerner and unveiled by HRH the Prince of Wales in 1980. It depicts a moment in the ancestral past of the Haida people when Raven found the first humans in a clamshell on the beach. For many years, this work was featured on the Canadian $20 dollar bill.

LatvianCeramicsMOA2

Koerner European Ceramics Gallery

This gallery features more than 600 European ceramics collected by Dr. Walter C. Koerner. The collection contains examples of tin-glazed and lead-glazed earthenware and stoneware from the 16th to the 19th centuries. Some pieces are considered to be the finest in North America, and the collection as a whole is unique in the world. Specially commissioned ceramics and textiles by contemporary Vancouver artists highlight the beauty and artistry of the collection as a whole.

CRD_4768

Museum Grounds

Along the path to the back of the museum are two massive houseboards carved by Musqueam artist Susan Point in 1997.  The grounds behind the museum feature a Haida House and Mortuary House constructed by Haida artist Bill Reid and ‘Namgis artist Doug Cranmer and modeled on a 19th century Haida village. The buildings sit beside the Yosef Wosk Reflecting Pool, which provides a dynamic presence that animates the site and reflects the ever-changing sky. Around the pool are memorial and mortuary poles dating from 1951 to the present carved by Jim Hart (Haida), Chief Walter Harris (Gitxsan) and Mungo Martin (Kwakwaka’wakw).