Digital Publications + Sourcebooks
Sourcebooks are produced by MOA staff, students, volunteers, visiting scholars, and community members to reflect their research and personal interests. Each sourcebook focuses on an object, artist, or area of cultural significance, and serves as an important introduction to the work of the Museum and its community partners. Accompanied by text, images, and useful references, these books are invaluable resources for the classroom and the casual reader alike.
Mary Anne Barkhouse
This sourcebook is about the life and selected works of Kwakwaka’wakw artist Mary Anne Barkhouse.
A Piece of Me
This sourcebook explores the diverse ways that personal identity and transformation are expressed by urban Aboriginal youth.
This is the sourcebook for the exhibition Claiming Space: Voices of Urban Aboriginal Youth. Check out original work by over 28 young, urban Aboriginal artists ages 15-25, from across Canada, the United States, Norway and New Zealand.
The Raven and The First Men
Bill Reid’s monumental sculpture, The Raven and the First Men, began as a miniature boxwood carving inspired by the works of 19th-century Haida carver Charles Edenshaw.
The Honour of One is the Honour of All
This sourcebook is a tribute to the First Nations men and women recognized by UBC for their distinguished achievements and outstanding service to either the life of the university, the province, or on a national or international level.
We Are The Wuikinuxv Nation
This sourcebook gives you a glimpse of the people of the Wuikinuxv Nation through historical Wuikinuxv artwork, archival photographs, contemporary perspectives and photographs.
Mehodihi: Well Known Traditions Of Tahltan People
This sourcebook grew out of the exhibit Mehodihi: Well-Known Traditions of Tahltan People, “Our Great Ancestors Lived That Way” which opened on October 18, 2003 at the Museum of Anthropology.
Museum Notes are produced by MOA staff and artists to accompany a particular exhibition or installation. Each Museum Note expands on the information provided to visitors in the exhibition, shining a light on individual works, processes, and artists. They provide supplementary content for museum visitors and serve as a documentation of research.
Peter Morin’s Museum
Peter Morin’s Museum is an idea in practice—and how to physically represent the structures that support the idea.
Layers of Influence
This catalogue accompanies the exhibition Layers of Influence: Unfolding Cloth Across Cultures. Over 130 textiles from the Museum’s worldwide collection were unfolded to explore how cloth communicates power, prestige, pride, and protection.
In Her Words
This publication presents each of the artists from the exhibition Marking the Infinite: Contemporary Women Artists from Aboriginal Australia as she reflects on her work. Close-ups of the artists’ paintings offer a glimpse a glimpse of the intimacy between each woman and her practice.
Shadows, Strings & Other Things
Read the biographies, reflections and words of contemporary puppet makers and puppeteers whose artistic works and practices were commissioned, borrowed, or acquired for the exhibition Shadows, Strings & Other Things: The Enchanting Theatre of Puppets.