Researching birch-bark basketry
Birch-bark basketry is a fascinating cultural practice! Prior to my research of MOA’s collection, I didn’t realize the high level of skill and ingenuity that…
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The History Robes of Jut-ke-Nay–Hazel Wilson
The History Robes of Jut-ke-Nay–Hazel Wilson
Ancient Andean Cosmovision
Cosmovisión Ancestral Andina
Reflecting on Northwest Coast Art
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MOA welcomes ceramics artist Jai Sallay-Carrington as this year’s Ceramic Artist-in-Residence, from June to August 2026.

“This will become one of the most talked about institutions in North America.” When Michael Ames, the Museum’s director at the time, spoke those words…
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April 8, 2026 marks UBC Giving Day—a 24-hour campus-wide fundraising event aimed at bringing together the community to maximize awareness, engagement, and fundraising for important causes…
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For more than three decades, Elder Larry Grant has been a guiding presence at MOA. A respected Musqueam Elder, educator, and knowledge keeper, he has…
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Learn about MOA’s newest touchable object, Qap’u’luq-John Marston’s Harbour Canoe, now on view in the Great Hall.
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The new MOA Publication, Sea of Islands brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections—as well as members of diasporic Oceanic communities—to share the stories and journeys of the objects that comprise Canada’s largest Oceanic collection, housed at the Museum of Anthropology at UBC.
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Museum of Anthropology at the
University of British Columbia
6393 NW Marine Drive
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Birch-bark basketry is a fascinating cultural practice! Prior to my research of MOA’s collection, I didn’t realize the high level of skill and ingenuity that…
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MOA hosted a Canadian Conservation Institute (CCI) Workshop on Wet Basketry. Participants included the hato:lo Nation, Musqueam Indian Band, Neskanlith Indian Band, the UBC Laboratory of Archaeology, the Royal BC Museum, the Sooke Region Museum, and local archaeologists and conservators.
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In my very first week as a MOA Intern I was thrown right into the fray and began treatment on four Peruvian festival masks made of tin. The masks when I arrived were in poor condition, with many of the decorations requiring repair and reattachment.
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The outdoor totem poles at MOA are subject to all the forces of nature. This presents some larger life challenges for the conservators, whose job it is to preserve these beautiful works.
Read MoreReceive monthly updates on exhibitions, programs and special offers.
MOA acknowledges that it is built on the traditional, ancestral and unceded land of the Musqueam people.