MOA is temporarily closed until late 2023 for seismic upgrades Learn more →
Big changes are underway in MOA's Great Hall, which is receiving seismic upgrades in order to augment its structural integrity. MOA is temporarily closed until late 2023 to accelerate the completion of this complex construction project.
Learn MoreFrom Vancouver: The westbound 4, 14, 25, 33, R4, 44, 49, 84, 99 B-Line, and 480 buses arrive at UBC. Get off at the last stop and walk northwest. See detailed directions.
Once at UBC Exchange, you can also transfer to the 68 Wesbrook Village bus instead of walking to MOA. Get off at NW Marine Dr at West Mall. Full transit information at the Translink website.
From Downtown Vancouver: Cross the Burrard or Granville Street bridges, and then head west on 4th Avenue, Broadway, 10th Avenue or 16th Avenue all the way to UBC.
From YVR Airport: Exit the Arthur Laing Bridge and head west onto Southwest Marine Drive, and follow this road to UBC.
Once at UBC, watch for signs guiding you to MOA. Paid parking can be purchased by cash or credit card. An Evo parking lot is located a 7-minute walk south of MOA.
From downtown Vancouver: Cross the Burrard Street Bridge and exit to the right onto Cornwall Street. Follow to Point Grey Road until NW Marine Drive all the way to UBC.
Please note that this route involves a significant hill, and that Mobi bike shares do not have stations at UBC.
Join MOA for a rare opportunity to visit the Museum during our temporary closure in 2023.
MOA • $20 regular, $12 for MOA members, Indigenous peoples, UBC students/faculty/staff
In-person • Free
Seismic upgrades and rebuild of MOA’s Great Hall are now underway, in order to strengthen the Museum’s resiliency and protect its irreplaceable collection in the event of a major earthquake.
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Learn about the seismic upgrades currently underway at MOA and how they are critical in preserving and safeguarding objects and cultural heritage for the future.
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MOA is deeply saddened by the passing of Gloria Cranmer Webster last week, at age 91. We honour this remarkable ’Namgis (Kwakwaka’wakw) woman whose ties to the Museum of Anthropology date back to the 1960s. The legacy of her repatriation and heritage preservation work has guided MOA’s practices in the ensuing decades and has forever shifted the cultural landscape in BC.
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In this MOA Story learn about the newest feature in MOA’s Multimedia Guide: Indigenous Voices, a special listening experience created with the intent to feature and amplify the voices of Indigenous community members, their perspectives on artistic, healing and museum practices.
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Excerpts from Theatrum Mundi: Masks + Masquerades in Mexico + the Andes with Former MOA Director, Anthony Alan Shelton.
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In honour of National Indigenous History Month, we’re sharing excerpts from the award-winning MOA publication, <Where the Power Is: Indigenous Perspectives on Northwest Coast Art, by Karen Duffek, Bill McLennan, and Jordan Wilson.
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MOA is committed to promoting awareness and understanding of culturally diverse ways of knowing the world through challenging and innovative programs and partnerships with Indigenous, local and global communities.
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Museum of Anthropology at the
University of British Columbia
6393 NW Marine Drive
Vancouver, BC, Canada V6T 1Z2
Email • info@moa.ubc.ca
Phone • 604.827.5932
Birch-bark basketry is a fascinating cultural practice! Prior to my research of MOA’s collection, I didn’t realize the high level of skill and ingenuity that…
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MOA hosted a Canadian Conservation Institute (CCI) Workshop on Wet Basketry. Participants included the hato:lo Nation, Musqueam Indian Band, Neskanlith Indian Band, the UBC Laboratory of Archaeology, the Royal BC Museum, the Sooke Region Museum, and local archaeologists and conservators.
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In my very first week as a MOA Intern I was thrown right into the fray and began treatment on four Peruvian festival masks made of tin. The masks when I arrived were in poor condition, with many of the decorations requiring repair and reattachment.
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The outdoor totem poles at MOA are subject to all the forces of nature. This presents some larger life challenges for the conservators, whose job it is to preserve these beautiful works.
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