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Nuxalk Strong

Dancing Down the Eyelashes of the Sun

Look Closer

Nuxalk Strong

Dancing Down the Eyelashes of the Sun

Look Closer

Nuxalk Strong

Dancing Down the Eyelashes of the Sun

Dates

February 21, 2025 – January 5, 2026

Gallery

O'Brian Gallery

In this powerful display of healing and sovereignty, the Nuxalk Nation demonstrate their resurgence and return to Stl’mstaliwa—the full human experience.

On the central coast of BC, nestled in the abundant Bella Coola Valley and surrounding fjords and river valleys of the homelands, the Nuxalk Nation is healing as a community from the traumas of colonialism, and the Nuxalk people are rising to determine their own lives and futures. Nuxalk Strong illustrates their efforts to bring back Nuxalk ancestral governance, laws and protocols; revitalize Nuxalk language; steward Nuxalk lands and waters; and awaken Nuxalk spirituality and ceremony by re-opening Nuslhiixwta—family treasure boxes that contain names, crests, songs, dances and regalia.

In the world’s first-ever dedicated exhibition of the Nuxalk, co-curated by Snxakila–Clyde Tallio (Nuxalk Nation, Director of Culture and Language) and Jennifer Kramer (MOA Curator, Pacific Northwest), Nuxalk ways of knowing are being shared with the world. Nuxalk Strong brings together over 60 Nuxalk historic treasures drawn from the MOA collections, other museums, private and family collections. The display of these belongings expresses the importance of Nuxalk reconnection with their material heritage, made by the hands of their Ancestors. Depicting the distinct and unique Nuxalk aesthetic and style, these treasures continue to inspire contemporary Nuxalk carpenters, artists and weavers to create ceremonial regalia, masks, rattles and other cherished items to once again tell the Smayusta—ancestral family origin stories.

Nuxalk Strong is an important assertion of the Nuxalk people today of their ongoing self-determination and sovereignty, by honouring the teachings of their Ancestors and laying the path for putl’lt—those not yet born.

Uts’i s-tlhilh Nuxalkmcilh—Our Greatest Strength is Being Nuxalk.

Curators: Snxakila–Clyde Tallio, Jennifer Kramer

Photo credits: 1. Snxakila–Clyde Tallio holds a Nuxalk Sun mask at the American Museum of Natural History in 2017. Photo by Jennifer Kramer. 2. Anuximana–Jade Hanuse stands in front of a bus shelter she painted with representations of Q’umukwa (Great Spirit Chief of the Undersea World) and Sets’alan (Echo). Created by Anuximana–Jade Hanuse. Photo by Snxakila–Clyde Tallio. 3. Nusq’lst Alhkw’alhtnak (territory marker) created by carpenter Nanutsaakas–Kyle Mack Tallio, depicting the smayusta (history of the First Ancestors/ancestral origin stories) of the Mack family. Created by carpenter Nanutsaakas–Kyle Mack Tallio. Photo by Matthew Wheelock. 4. Sputc pole designed by carpenter Wiiaqa7ay–Lyle Mack, standing at the shore of the Bella Coola River in Q’umk’uts. Created by carpenter Wiiaqa7ay–Lyle Mack. Photo by Cody Rocko. 5. Nuxalk knowledge holder, Marlene King, visits the Nuxalk collection at Museum of Vancouver. Photo by Jennifer Kramer. 6. Photograph of Staltmc Anulhkw’ikmlayc–Tallio-Hans and his wife Yatsalt Anuskimalhnm and their son Lhkw’aakas–Willie Hans, c. 1910. Royal British Columbia Museum collection PM # 11189. Photographer unrecorded, courtesy of the Indigenous Collections & Repatriation Department, Royal British Columbia Museum. 7. Carpenter Anuximana–Jade Hanuse with her Raven Led the Way paddle at the Freda Diesing School of Northwest Coast Art. MOA collection MOA 3631/1. Photo by Jennifer Kramer.