From Vancouver: The westbound 4, 14, 25, 33, R4, 44, 49, 84, 99 B-Line, and 480 buses arrive at UBC. Get off at the last stop and walk northwest. See detailed directions.
Once at UBC Exchange, you can also transfer to the 68 Wesbrook Village bus instead of walking to MOA. Get off at NW Marine Dr at West Mall. Full transit information at the Translink website.
From Downtown Vancouver: Cross the Burrard or Granville Street bridges, and then head west on 4th Avenue, Broadway, 10th Avenue or 16th Avenue all the way to UBC.
From YVR Airport: Exit the Arthur Laing Bridge and head west onto Southwest Marine Drive, and follow this road to UBC.
Once at UBC, watch for signs guiding you to MOA. Paid parking can be purchased by cash or credit card. An Evo parking lot is located a 7-minute walk south of MOA.
From downtown Vancouver: Cross the Burrard Street Bridge and exit to the right onto Cornwall Street. Follow to Point Grey Road until NW Marine Drive all the way to UBC.
Please note that this route involves a significant hill, and that Mobi bike shares do not have stations at UBC.
Receive monthly updates on exhibitions, programs and special offers.
We invite you to the opening of MOA’s new feature exhibition, I Use My Haida Eyes: The History Robes of Jut-ke-Nay–Hazel Wilson.
MOA • Free
Join us for special opening weekend curatorial tours of MOA’s new exhibition, I Use My Haida Eyes: The History Robes of Jut-ke-Nay–Hazel Wilson.
MOA • Free with museum admission
Join MOA each month for our new art-making series for adults, Art Club at MOA.
Cedar Café at MOA • Free (museum admission not required)
April 8, 2026 marks UBC Giving Day—a 24-hour campus-wide fundraising event aimed at bringing together the community to maximize awareness, engagement, and fundraising for important causes…
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For more than three decades, Elder Larry Grant has been a guiding presence at MOA. A respected Musqueam Elder, educator, and knowledge keeper, he has…
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Learn about MOA’s newest touchable object, Qap’u’luq-John Marston’s Harbour Canoe, now on view in the Great Hall.
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Explore stories and articles from around the web that reflect the values, research, communities and activities related to MOA and museums around the world.
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Learn about MOA’s newest touchable object, Qap’u’luq-John Marston’s Harbour Canoe, now on view in the Great Hall.
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The new MOA Publication, Sea of Islands brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections—as well as members of diasporic Oceanic communities—to share the stories and journeys of the objects that comprise Canada’s largest Oceanic collection, housed at the Museum of Anthropology at UBC.
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MOA is committed to promoting awareness and understanding of culturally diverse ways of knowing the world through challenging and innovative programs and partnerships with Indigenous, local and global communities.
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Museum of Anthropology at the
University of British Columbia
6393 NW Marine Drive
Vancouver, BC, Canada V6T 1Z2
Email • info@moa.ubc.ca
Phone • 604-822-3825
In this second of three posts, learn more about the artists featured in the exhibition Marking the Infinite: Contemporary Women Artists from Aboriginal Australia as she reflects on her work: how she learned to paint, what subjects she has painted, and why.
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Arkeria Rose Armstrong is a Gamilaraay painter connecting traditional Aboriginal art with her own contemporary style. Jewellery featuring her work is now available at the MOA Shop.
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Discover MOA’s extensive contemporary art collection displayed in the Multiversity Galleries, starting with Tania Willard’s woodblock print that depicts the gendered labour symptomatic of Canada’s colonial history.
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Learn more about each of the artists featured in the exhibition Marking the Infinite: Contemporary Women Artists from Aboriginal Australia as she reflects on her work: how she learned to paint, what subjects she has painted, and why.
The best logs for large canoes have a fine grain, no twist, and few knots, and the tree that produced Bill Reid’s inshore canoe was no exception.
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When asked to make a new work for MOA, Gitxsan artist Eric Robertson sought to create something that linked all of the coastal nations.
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Last month the National Museum of Brazil was destroyed by fire. Read about MOA’s connection to the institution, the devastating cultural loss and the digital rebuilding already underway.
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We’re drumming up excitement for objects you can touch at MOA! A favourite among visitors of all ages, these 13 carved Indonesian drums produce a beautiful depth of tones.
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Deer, turtles and bears, oh my! Painted on hide, this whimsical wall hanging was made by a boy who attended an Indian Residential School between 1932 and 1942.
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Shipibo-Konibo artisans of Peru create dazzling kené artworks, such as beadwork, embroidery and painting.
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