MOA is temporarily closed in response to the COVID-19 coronavirus outbreak. Update: May 8 →
From Vancouver: The westbound 4, 14, 25, 33, R4, 44, 49, 84, 99 B-Line, and 480 buses arrive at UBC. Get off at the last stop and walk northwest. See detailed directions.
Once at UBC Exchange, you can also transfer to the 68 Wesbrook Village bus instead of walking to MOA. Get off at NW Marine Dr at West Mall. Full transit information at the Translink website.
From Downtown Vancouver: Cross the Burrard or Granville Street bridges, and then head west on 4th Avenue, Broadway, 10th Avenue or 16th Avenue all the way to UBC.
From YVR Airport: Exit the Arthur Laing Bridge and head west onto Southwest Marine Drive, and follow this road to UBC.
Once at UBC, watch for signs guiding you to MOA. Paid parking can be purchased by cash or credit card. An Evo parking lot is located a 7-minute walk south of MOA.
From downtown Vancouver: Cross the Burrard Street Bridge and exit to the right onto Cornwall Street. Follow to Point Grey Road until NW Marine Drive all the way to UBC.
Please note that this route involves a significant hill, and that Mobi bike shares do not have stations at UBC.
Join us for the opening celebrations of Kent Monkman’s Shame and Prejudice: A Story of Resilience, a journey through the past 150 years of Canada.
MOA • Free Exhibition Opening Programs
MOA invites you to take part in this special opportunity to hear artist Kent Monkman discuss his artistic practice and the development of the exhibition, Shame and Prejudice: A Story of Resilience.
Frederic Wood Theatre at UBC • General $25 | UBC Students, Staff, Faculty / MOA Members / Indigenous peoples $20 artist Exhibition Programs
Updated: May 8, 2020—MOA remains temporarily closed to the public in response to the COVID-19 pandemic, and does not yet have a date selected to re-open. We are working hard to develop and implement a process to safely re-open for our visitors and staff, in accordance with all provincial health directives.
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Here are some online MOA resources for you to enjoy online, from home. In these difficult times of the COVID-19 pandemic, it’s more important than ever to keep culture in your daily life.
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Do you have an artwork or other mystery object at home that you’ve always wondered about? Let our curators and collections staff offer their expertise.
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Join MOA for a journey of musical discovery from Asia, to Europe and the Americas. Learn about what it takes to create a new album…
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Read an excerpt of the book Divine Threads: The Visual and Material Culture of Cantonese Opera by April Liu, which unravels the strands of memory and migration embedded in a treasure trove of Cantonese opera costumes, props and stage dressings held at MOA.
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Seeing isn’t always believing. Learn about the history of this not-so-authentic flute in MOA’s collections.
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Discover MOA’s extensive contemporary art collection displayed in the Multiversity Galleries and explore Key-Sook Geum’s ethereal wire sculpture that fuses art and fashion.
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MOA is committed to promoting awareness and understanding of culturally diverse ways of knowing the world through challenging and innovative programs and partnerships with Indigenous, local and global communities.
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Museum of Anthropology at the
University of British Columbia
6393 NW Marine Drive
Vancouver, BC, Canada V6T 1Z2
Email • info@moa.ubc.ca
Phone • 604.822.5087
In this final of three posts, learn more about the artists featured in the exhibition Marking the Infinite: Contemporary Women Artists from Aboriginal Australia as she reflects on her work: how she learned to paint, what subjects she has painted, and why.
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You might be surprised to learn what this robe from Siberia is made out of.
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In this second of three posts, learn more about the artists featured in the exhibition Marking the Infinite: Contemporary Women Artists from Aboriginal Australia as she reflects on her work: how she learned to paint, what subjects she has painted, and why.
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Arkeria Rose Armstrong is a Gamilaraay painter connecting traditional Aboriginal art with her own contemporary style. Jewellery featuring her work is now available at the MOA Shop.
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Discover MOA’s extensive contemporary art collection displayed in the Multiversity Galleries, starting with Tania Willard’s woodblock print that depicts the gendered labour symptomatic of Canada’s colonial history.
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Learn more about each of the artists featured in the exhibition Marking the Infinite: Contemporary Women Artists from Aboriginal Australia as she reflects on her work: how she learned to paint, what subjects she has painted, and why.
The best logs for large canoes have a fine grain, no twist, and few knots, and the tree that produced Bill Reid’s inshore canoe was no exception.
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When asked to make a new work for MOA, Gitxsan artist Eric Robertson sought to create something that linked all of the coastal nations.
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Last month the National Museum of Brazil was destroyed by fire. Read about MOA’s connection to the institution, the devastating cultural loss and the digital rebuilding already underway.
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We’re drumming up excitement for objects you can touch at MOA! A favourite among visitors of all ages, these 13 carved Indonesian drums produce a beautiful depth of tones.
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